A showman introduces a small coastal town to a unique movie experience and capitalises on the Cuban Missile crisis hysteria with a kitschy horror extravaganza combining film effects, stage props and actors in rubber suits in this salute to the B-movie.
Stage actors Mariah and Daniel play lovers every night, but their onstage romance lacks spark. One slow afternoon, they discover that today’s matinée performance will make or break both their careers. Daniel wants to make big changes, and Mariah starts to wonder: are Daniel’s suggestions reasonable? Or has he lost track of the boundary between actor and character? Rushed to the stage, in front of a live audience, they must figure it out together. “Matinée” is a sexually explicit drama intended to bridge the gap between art film and sex film. The film showcases Steven McAlistair (Scotland) and Alicia Whitsover (England) in their first explicit sex roles ever. Matinée takes a fresh look at what erotic film can be. It features an original musical score and careful attention to capturing the real-life sounds of sex. Real, intense and emotional, Matinée is truly erotic film for people who like film.
Matinee is a 2012 Malayalam romantic film directed by Aneesh Upasana and starring Maqbool Salmaan and Mythili in the lead roles. The film marks the directorial debut of still photographer Aneesh Upasana while Mammootty's nephew Maqbool Salmaan plays his first lead role. The story is about two person's journey to filmdom and how their life changes on one Friday's matinée show. The film's lead role is played by Maqbool Salmaan who had earlier appeared in a short role in A. K. Saajan's Asuravithu. Maqbool is the nephew of noted actor Mammootty. He is the son of Ibrahimkutty, the younger brother of Mammootty who had been a popular star in the miniscreen. The film is produced by AOPL Entertainment which also launched Mammootty's son Dulquer Salmaan earlier the year through Second Show. Matinee released on 13 December to positive reviews from critics and audiences. The film was appreciated for its realistic approach and the performances by lead actors.
Jorge and Aarón, two young boys growing up in a quiet town often miss classes to go together to the cinema matinee. One day they are kidnapped by robbers while traveling in a truck. After the disintegration of the band, they begin to participate in the robberies until the adventure turns into something more sinister and dangerous.
Even though a devastating murder took place during a small town's horror film festival two years earlier, townspeople want another festival.
A Broadway star visits his playwright friend who's working out a scene for his new play.
Debu Chatterjee is in his 30s, and is chided by everyone he knows as a "virgin". Tired of being stereotyped in this manner, he confides in Baba Hindustani, and Pyarelal about his predicament, and they offer to help him out, with hilarious results. Then one day, while watching a movie in a theater, Debu is shocked to see himself in an adult sex film...
Yes, totally bored with their husbands in bed, horny Hollywood-Hills housewives Linda Devlin and Pat Chandler have become Matinee Wives. For some time now, they’ve been turning "matinee tricks" with the horny hubbies of other frigid suburban housewives by housewife-turned-madam Kay Gavin (CHRISTINE MURRAY of Trader Hornee), a supersexed entrepreneurial vixen who likes to "curl up with a warm vibrator" each morning to jump-start her day. So, of course, when Paul and Tom make plans for some "outside stud," who do you suppose they call? That’s right: the vibrant Madam Kay herself! And who do you suppose she sets them up with? Right again: each other’s wives! But the kicker is: no one knows this, neither the husbands nor the wives, as they’re all chipping under false names and no one has met the other’s spouse before! So all four are swapping partners and no one’s the wiser. Neat, no?
Tom is chasing Jerry through the back yard. Jerry escapes to a bird house. A bit more chasing. Jerry crashes into the wall. Both decide they've had enough, and wave the truce flag; they go to the movies of themselves, which is an excuse for another bargain clip show. The truce doesn't hold, and eventually the characters on screen stop and take notice.
A well-known actor is murdered. Another performer becomes an amateur sleuth so she can prove her sister is innocent of the crime.
Three interwoven stories of women on the verge of a mental breakdown, seeking a way out of their misery, while confronting secrets that will change them forever. All three women are named the same - Naama. A man who longs to be a woman A painter revealing a portrait of a married woman A university graduate desperate to have a decent life All three women are a part of a bigger picture; a picture that is worth unveiling...
When movie cameras were put in the hands of a few young people, they made this film about themselves and their world. The footage they gathered is presented in feature film with very little editing. There are sit-ins, love-ins, animated discussions among themselves about almost everything, and encounters with adults on a bus and on the street. The film is a revealing portrait of a dissenting generation and its rationale.
Working backstage at a theater, Porky frees a little ant he finds in a cage, only to learn that it's a rare and valuable trained pygmy ant.
The famous matinee idol and blackface comedian, Don Wilson, heads out of town to escape adulation. There, calling himself Harry Mann, he accidentally joins a traveling acting troupe, and falls in love with Ginger Bolivar, who runs the troupe and stars in their Civil War melodrama. Don's producer sees the play, and thinks it's a comic masterpiece, and just what Don's Broadway show needs. But when Ginger finds out she's been played for a fool, will she forgive Don?
Years ago a man was slaughtered at a Midnight Matinee at the local theater. Up until now, the police have only had dead-ends, but suddenly the hunt is back on as an unidentified lunatic begins killing innocent film goers attending Midnight Matinees. All star cast features PJ Soles, Sal Lizard, Lloyd Kaufman and more!
Anthology of horror shorts.
It's 5 O'Clock Somewhere - With Alan Jackson, Cheeseburger In Paradise, Meet Me In Margaritaville, The Tiki Bar Is Open, Knees Of My Heart, Fins...
It's a scream when rock band KISS plays Banning Junction's 100th-Anniversary Halloween Party in A Scooby-Doo Halloween. Before scarfing up all the candy, the Mystery Inc. gang tries to scare up some nasty celebration spoilers. The legendary San Franpsycho snatches a champion skateboarder on notorious Alcatraz Island. Scooby-Doo and crew much catch some big air - and a scar-covered ghost! In New Mexico, Old Monster, Scooby-Doo and good buddy Shooby-Doo solve the mystery of the flying Wakoomee Beast. On a visit to Japan, Shaggy's Big Appetite in Little Tokyo leads him to devour a cursed pizza that turns his dreams to nightmares when he becomes the Shagzilla who devours Tokyo! Episodes: A Scooby-Doo Halloween, San Franpsycho, New Mexico Old Monster, and Big Appetite in Little Tokyo. Special features: Haunted Hoax and Scooby-Doo menu challenge
Matinee Theater is an American anthology series that aired on NBC during the Golden Age of Television, from 1955 to 1958. The series, which ran daily in the afternoon, was frequently live. It was produced by Albert McCleery, Darrell Ross, George Cahan and Frank Price with executive producer George Lowther. McCleery had previously produced the live series Cameo Theatre which introduced to television the concept of theater-in-the-round, TV plays staged with minimal sets. Jim Buckley of the Pewter Plough Playhouse recalled: When Al McCleery got back to the States, he originated a most ambitious theatrical TV series for NBC called Matinee Theater: to televise five different stage plays per week live, airing around noon in order to promote color TV to the American housewife as she labored over her ironing. Al was the producer. He hired five directors and five art directors. Richard Bennett, one of our first early presidents of the Pewter Plough Corporation, was one of the directors and I was one of the art directors and, as soon as we were through televising one play, we had lunch and then met to plan next week’s show. That was over 50 years ago, and I’m trying to think; I believe the TV art director is his own set decorator —yes, of course! It had to be, since one of McCleery’s chief claims to favor with the producers was his elimination of the setting per se and simply decorating the scene with a minimum of props. It took a bit of ingenuity.
Matinee at the Bijou was a television series that premiered nationally on PBS in 1980. It recreated the American moviegoing experiences of the 1930s and '40s, with trailers, a cartoon, one or more selected short subjects, a cliff-hanging serial chapter “to be continued,” and a tightly edited feature presentation. The 90-minute series ran for five consecutive first-run seasons, each consisting of 16 episodes, and continued on PBS for three subsequent years in reruns. The series was an independent production from Bijou Productions, Inc., of Medford, Oregon.